Literature – 聲軌 Soundtraces

1920

臺灣新文學運動可追溯到20年代漢人社會政治運動。新一代受到一戰後民族自覺風潮的影響，開始反思對於殖民政治的認同問題。1920年留日的台籍學生在東京成立新民會，隔年，蔣渭水成立了受其指導的台灣文化協會。 Taiwan's New Literature Movement can be traced to the Han Chinese sociopolitical movements of the 1920s. A new generation, influenced by post-WWI currents of national self-determination, began questioning colonial political identity. In 1920, Taiwanese students in Japan founded the Xin Min Society in Tokyo; the following year, Chiang Wei-shui established…

1956

現代詩論戰 Modern Poetry Controversy

1953年創刊的《現代詩》季刊主張知性路線力求吸收西方精神。1956年進一步成立現代派，其強烈主張引起詩界反彈，於《文學雜誌》展開論戰，是為台灣戰後第一次現代詩論戰。 The journal Modern Poetry, founded in 1953, championed an intellectual, Western-influenced approach to verse. In 1956, the more radical Modernist School was established, provoking backlash from other poets and sparking Taiwan's first postwar debate over modern poetry in the pages of Literary Review.

1960

現代主義在台灣達到高峰 Modernism in Taiwan Reaches Its Peak

戰後的台灣在50、60年代急遽的現代化，是現代主義在台灣發展的高峰期。 Taiwan's rapid postwar modernization in the 1950s and 1960s marked the height of the modernist movement on the island.

1967

《草原》雜誌創刊 Prairie Magazine Launches

清新、園地開放、充滿理想性的《草原》雜誌，是台灣第一本明確標榜本土文學藝術的雜誌，從創辦起始至殞落雖僅一年，卻代表著一群年輕人執著追求文學夢想的紀錄。1967至68年共出刊三期。 Fresh, open, and idealistic, Prairie was Taiwan's first magazine explicitly dedicated to nativist literature and art. Though it ran for only a year, it documented a generation of young people's pursuit of literary ideals. Three issues were published between 1967 and 1968.

1980

台灣文學興起魔幻寫實主義 Magical Realism Emerges in Taiwanese Literature

魔幻現實主義一般被認為源自拉丁美洲文學，作品多在揭露社會弊端，抨擊暴暗現實，歸根結底是拉丁美洲人民新的覺醒的表現，是一種民族自醒和反思的開始。 Magical realism is generally considered to have originated in Latin American literature, where it exposed social ills and confronted harsh realities. At its root, it expressed a new awakening among Latin American peoples — a beginning of national self-awareness and reflection that resonated with Taiwanese writers.

1985

《人間》雜誌創刊 Renjian Magazine Founded

1985年11月，《人間》雜誌的創刊號封面選用了一個住在都市邊緣的原住民黑白照。這張由報導攝影家關曉榮拍的照片，相當程度也定義了這本維持近四年、出刊四十七期雜誌的生命風格。 In November 1985, the inaugural cover of Renjian magazine featured a black-and-white photograph of an indigenous person living on the urban margins, taken by documentary photographer Kuan Hsiao-jung. That image largely defined the life and spirit of the magazine, which ran for nearly four years and published forty-seven issues.

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