1992年陳文茜擔任策畫的「台灣現第一屆中元普渡藝術節」,首次將當代藝術與常民信仰及行政系統作結合。1990年代中旬起蔚為風潮的戶外裝置藝術展,開始變成一個重要的平台。 In 1992, the Ghost Festival Arts Celebration organized by Chen Wen-chien was the first event to integrate contemporary art with popular religious practice and local governance. Beginning in the mid-1990s, large-scale outdoor installation art exhibitions became an important cultural platform.