1998年荷蘭公司N2IT推出的軟體FinalScratch，標誌著現在無處不在的數位唱盤控制系統的首次登場，同時也澈底改變了舞場DJ文化。 In 1998, Dutch company N2IT released FinalScratch — marking the debut of what would become the now-ubiquitous digital vinyl control system, fundamentally transforming DJ culture on the dance floor.
「電子音樂實習」活動由電解體主辦，演出的團體包括Dino、零與聲音解放組織、田中能與應蔚民（夾子小應）。電解體致力於串聯電子音樂與聲響表演者，曾經舉辦第一屆破爛生活節以及空中破裂節。 The 'Electronic Music Workshop' event was organized by Dianjeti, with performances by Dino, Zero and Sound Liberation Organization, Tanaka Noh, and Ying Wei-min (Clip Hsiao-ying). Dianjeti was dedicated to connecting electronic music and sonic performers, and previously organized the first Broken Life Festival and Sky Rupture Festival.
陳史帝（Noise Steve）受90年代末台灣瑞舞風潮的影響，與朋友以DIY的方式舉辦多場游擊式的瑞舞派對，2002年，舉辦了台中第一場噪音藝術節「電子原音的反擊」。 Influenced by Taiwan's late-1990s rave scene, Chen Shih-ti (*Noise Magazine* Steve) and friends organized several guerrilla-style rave parties using DIY methods. In 2002, they organized Taichung's first noise art festival: 'Electronic Primal Sound Counterattack.'
2002年底由林其蔚、許雅筑與剛成立的台北藝術大學科技藝術研究中心所主辦的「台灣國際電子藝術論壇」堪稱是「台北國際後工業藝術」之後，最具革命性的活動。 The 'Taiwan International Electronic Arts Forum,' organized in late 2002 by Lin Chi-wei, Hsu Ya-chu, and the newly established Technology Arts Research Center at Taipei National University of the Arts, was arguably the most revolutionary event since the 'Taipei International Post-Industrial Art' festival.
腦天氣音樂祭取其日本關東方言漢字，衍生其意為「大腦裡的天氣（WeatherinMyBrain）」，邀請全國影音、多媒體等不同領域之藝術團隊參與該次活動，自2003年起連續舉辦了三屆。 Brain Weather Music Festival takes its name from a Japanese Kanto dialect character compound, extended to mean 'Weather in My Brain.' It invited arts groups from across film, sound, and multimedia fields, and was held for three consecutive years from 2003.
「和」Party出現在戶外瑞舞派對紛紛被迫停辦的時期，「和」倡導音樂的自主性，每個月一次就像是固定的儀式和觀禮。 The He Party emerged during a period when outdoor raves were being shut down one after another. Advocating for musical autonomy, it was held once a month as a recurring ritual and gathering.
「噪動之夜 」 為展覽「疆界/Altered States」的開幕表演活動，演出地點則選在Live House「這牆」。表演選擇以工業搖滾、噪音與實驗聲響為主題，邀請台灣及加拿大前衛聲響藝術創作者， *Noise Magazine* Night was the opening performance for the exhibition 'Altered States,' staged at the live house The Wall. The performance focused on industrial rock, noise, and experimental sound, inviting avant-garde sonic artists from Taiwan and Canada.
「南海啥聲」由i/O SoundLab.主辦，自2006年起陸續在南海藝廊舉辦數「南海啥聲1」、「南海啥聲2」、「南海啥聲3」三場表演，主要成員包括蔡欣圜、張永達、王仲堃與姚仲涵等人。 Nanhai What Sound was organized by i/O SoundLab, presenting three consecutive performances — Nanhai What Sound 1, 2, and 3 — at the Nanhai Gallery from 2006. Core participants included Tsai Hsin-yuan, Chang Yung-ta, Wang Chung-kun, and Yao Chung-han.
2006年在THE WALL售票演出的「聲交：兩岸聲音藝術交流大匯演」由台灣與中國的聲音藝術家接連演出，包括蔡欣圜、謝仲其、立威、背信棄義的雙魚座人(顏峻+姚大鈞)、顏峻等人。 The 2006 ticketed event 'Sound Exchange: Cross-Strait Sound Art Exchange Concert' at THE WALL featured consecutive performances by sound artists from Taiwan and China, including Tsai Hsin-yuan, Hsieh Chung-chi, Li-wei, Treacherous Pisces (Yan Jun + Yao Dajuin), and Yan Jun.
