台北空中破裂節由吳中煒及一群參與者籌畫，是一個揉合環境雕塑、偶發、噪音、垃圾藝術的大雜燴，也可被視為一個歷時月餘的烏托邦聚落。 The Taipei Sky Rupture Festival, organized by Wu Chung-wei and a group of participants, was a sprawling mash-up of environmental sculpture, happenings, noise, and junk art — also legible as a month-long utopian commune.
1995年吳中煒、林其蔚、蔣慧仙、林中杰等人在板橋廢酒廠舉辦了為期三天的大規模戶外演出「後工業藝術祭」，邀請各國的噪音、實驗音樂、驚悚劇場團體演出，種種極端行為彷彿是受戒嚴壓抑多年後的一次爆發。 In 1995, Wu Chung-wei, Lin Chi-wei, Chiang Hui-hsien, Lin Chung-chieh, and others organized a three-day large-scale outdoor event at an abandoned distillery in Banqiao — inviting noise, experimental music, and horror theatre groups from various countries. The extreme acts felt like an explosion of expression suppressed for years under martial…
「反中國併吞」是台灣首次將政治訴求直接置入大型搖滾演唱會的系列音樂表演活動，一反當時由陳水扁總統的「政治中間路線」，主張悍衛台灣的自由、獨立，反中國武力威脅。 The 'Anti-Annexation' series was the first in Taiwan to embed explicitly political demands into a large-scale rock concert format. Defying the 'political centrist line' of President Chen Shui-bian at the time, it advocated defending Taiwan's freedom and independence against Chinese military threats.
海洋音樂祭最早是由臺北縣政府（今新北市政府）與角頭音樂共同合作發起，免費入場的形式，再加上距離首都臺北市並不遙遠，在2000年起始之初，便吸引大批民眾及喜好音樂的樂迷們參與。 The Ho-Hai-Yan Rock Festival (Ocean Music Festival) was originally co-organized by the Taipei County Government and Corner Music. With free admission and proximity to Taipei, it drew massive crowds from the very first edition in 2000.
陳史帝（Noise Steve）受90年代末台灣瑞舞風潮的影響，與朋友以DIY的方式舉辦多場游擊式的瑞舞派對，2002年，舉辦了台中第一場噪音藝術節「電子原音的反擊」。 Influenced by Taiwan's late-1990s rave scene, Chen Shih-ti (*Noise Magazine* Steve) and friends organized several guerrilla-style rave parties using DIY methods. In 2002, they organized Taichung's first noise art festival: 'Electronic Primal Sound Counterattack.'
2002年的墾丁，除了春天吶喊，大尖山還舉辦了Moonlight 以及Dream Field等兩場戶外電音派對，密集的活動吸引媒體前來以獵奇的筆法密集報導觀眾放蕩行為，其中以壹週刊的「千人吸毒性愛派對」等誇大標題與圖文引起大眾熱議。 In 2002, in addition to Spring Scream, Kenting hosted two outdoor electronic parties at Dajianshan — Moonlight and Dream Field. The cluster of events attracted media coverage luridly sensationalizing audience behavior, most notoriously the Next Magazine's exaggerated headline 'Thousand-Person Drug-Fueled Sex Party.'
從2000年開始舉辦的海洋音樂祭最早由台北縣政府與獨立的地下音樂製作公司角頭音樂合作發起，2006年活動轉發民事承包，此舉引起「角頭音樂」的不滿，計畫在福隆舉辦「海洋人民音樂祭」作為對峙與抗議。 A dispute between the New Taipei City Government and Corner Music led to two competing 'Ho-Hai-Yan' rock festivals being held simultaneously in 2006, confusing audiences and highlighting the tensions between official sponsorship and independent music organizing.
以「做喜歡的事，讓喜歡的事有價值」為中心思考出發，簡單生活節(Simply Life)是由李宗盛、張培仁等人策劃發起，自2006年12月開始，每兩年一屆的售票型生活節活動 。 Built around the idea of 'doing what you love and giving what you love value,' the Simple Life Festival was conceived by Jonathan Lee, Chang Pei-jen, and others. Beginning in December 2006, it is held every two years as a ticketed lifestyle festival.
