「零與聲音解放組織」（簡稱ZSLO，或零與聲）是台灣第一個噪音團體，自1992年創立後，發行過自製卡帶與CD，發行台灣首張自製、自發與自銷的「噪音」專輯。 Zero and Sound Liberation Organization (ZSLO, or Zero and Sound) was Taiwan's first noise collective. Founded in 1992, it released self-produced cassettes and CDs, and put out Taiwan's first self-made, self-published, and self-distributed 'noise' album.
1992年台大爆發轟動全國的「盜墓事件」八名學生遭退學處分，包括濁水溪公社的左派和小柯，這年濁水溪公社便在視聽小劇場舉辦告別校園演唱會。 In 1992, NTU was rocked by the nationally infamous 'tomb-raiding incident,' which led to eight students being expelled — including Zordan's River Commune members Zuopai and Xiao Ke. That year, the band held a farewell-to-campus concert at the Audio-Visual Theatre.
90年代校園裡的一群學生在跨校圖書會與報社結識，相繼創辦了報紙《甜蜜蜜》、《台大學生報》副刊《甜蜜蜜的午後》，隨後吳中煒在1993年開了甜蜜蜜咖啡。 In the 1990s, a group of students met across campuses through inter-university reading clubs and newspapers, co-founding publications including the newspaper Sweetness, and the NTU Student Newspaper supplement Sweetness Afternoons. Wu Chung-wei followed by opening Sweetness Café in 1993.
王福瑞1993年創立了台灣第一個實驗音樂廠牌和刊物《Noise》並發行了一系列集結台灣與國際噪音創作者的選輯「Noisenet」成為國際噪音網絡的據點。 In 1993, Wang Fu-jui founded NOISE — Taiwan's first experimental music label and journal — and released a series of compilations titled *Noise Magazine*net, featuring Taiwanese and international noise artists. It became a node in the international noise network.
歷經「野百合學運事件後，言論審查機制解禁，意識形態鬆綁，台灣大專院校的開始湧現地下刊物風潮，包括台大的《苦悶報》、《人文報》、輔大的《甜蜜蜜》、清大的《衛生紙》、《大便》、藝術學院的《宣統報》… In the wake of the Wild Lily Student Movement, censorship loosened and ideological controls relaxed. Universities across Taiwan saw a surge in underground publications, including NTU's Bitter Struggle Report and Humanities Report, Furen's Sweetness, Tsing Hua's Toilet Paper and Shit, and the Arts Academy's Xuantong Report.
台北空中破裂節由吳中煒及一群參與者籌畫，是一個揉合環境雕塑、偶發、噪音、垃圾藝術的大雜燴，也可被視為一個歷時月餘的烏托邦聚落。 The Taipei Sky Rupture Festival, organized by Wu Chung-wei and a group of participants, was a sprawling mash-up of environmental sculpture, happenings, noise, and junk art — also legible as a month-long utopian commune.
1995年吳中煒、林其蔚、蔣慧仙、林中杰等人在板橋廢酒廠舉辦了為期三天的大規模戶外演出「後工業藝術祭」，邀請各國的噪音、實驗音樂、驚悚劇場團體演出，種種極端行為彷彿是受戒嚴壓抑多年後的一次爆發。 In 1995, Wu Chung-wei, Lin Chi-wei, Chiang Hui-hsien, Lin Chung-chieh, and others organized a three-day large-scale outdoor event at an abandoned distillery in Banqiao — inviting noise, experimental music, and horror theatre groups from various countries. The extreme acts felt like an explosion of expression suppressed for years under martial…
1998年2月，台北90.5調頻突然出現台灣首個專門播放搖滾、另類與實驗音樂的電台，它是由水晶唱片負責人任將達所策劃。 In February 1998, Taiwan's first radio station dedicated exclusively to rock, alternative, and experimental music suddenly appeared on Taipei's 90.5 FM. It was conceived by Crystal Records director Jen Chiang-ta.
「電子音樂實習」活動由電解體主辦，演出的團體包括Dino、零與聲音解放組織、田中能與應蔚民（夾子小應）。電解體致力於串聯電子音樂與聲響表演者，曾經舉辦第一屆破爛生活節以及空中破裂節。 The 'Electronic Music Workshop' event was organized by Dianjeti, with performances by Dino, Zero and Sound Liberation Organization, Tanaka Noh, and Ying Wei-min (Clip Hsiao-ying). Dianjeti was dedicated to connecting electronic music and sonic performers, and previously organized the first Broken Life Festival and Sky Rupture Festival.
吳中煒、林其蔚、馬惠中等人於永福橋頭舉辦「破爛藝術節」策動自發性跨領域展演後，隨後即成立都市的異次元空間「龜山工廠」，是解嚴後令人驚異的一股力量。 After Wu Chung-wei, Lin Chi-wei, Ma Hui-chung, and others organized the 'Broken Art Festival' at Yongfu Bridge, they established the alternative urban space 'Guishan Factory' — a remarkable force in post-martial law Taiwan.
陳史帝（Noise Steve）受90年代末台灣瑞舞風潮的影響，與朋友以DIY的方式舉辦多場游擊式的瑞舞派對，2002年，舉辦了台中第一場噪音藝術節「電子原音的反擊」。 Influenced by Taiwan's late-1990s rave scene, Chen Shih-ti (*Noise Magazine* Steve) and friends organized several guerrilla-style rave parties using DIY methods. In 2002, they organized Taichung's first noise art festival: 'Electronic Primal Sound Counterattack.'
2002年陳史帝與朋友於台中組成「麥芽精釀工作室」，為少數在台北之外的實驗電子音樂推廣據點，從事音樂創作、販售罕見唱片、教授樂器彈奏與DJ技術，並舉辦台中第一場噪音藝術節「電子原音的反擊」。 In 2002, Chen Shih-ti and friends formed 'Malt Craft Studio' in Taichung — one of the few hubs for experimental electronic music outside Taipei. It engaged in music production, sold rare records, taught instrument playing and DJ skills, and organized Taichung's first noise art festival.
2002年底由林其蔚、許雅筑與剛成立的台北藝術大學科技藝術研究中心所主辦的「台灣國際電子藝術論壇」堪稱是「台北國際後工業藝術」之後，最具革命性的活動。 The 'Taiwan International Electronic Arts Forum,' organized in late 2002 by Lin Chi-wei, Hsu Ya-chu, and the newly established Technology Arts Research Center at Taipei National University of the Arts, was arguably the most revolutionary event since the 'Taipei International Post-Industrial Art' festival.
1970 年代起姚大鈞即開始創作前衛、實驗音樂的姚大鈞，2003年回台開課，主持「電腦音樂實驗室」。 Yao Dajuin, who had been creating avant-garde and experimental music since the 1970s, returned to Taiwan in 2003 to teach and direct the 'Computer Music Laboratory' at Taipei National University of the Arts.
1970 年代起姚大鈞即開始創作前衛、實驗音樂的姚大鈞，2003年回台開課，主持「電腦音樂實驗室」。 Yao Da-chun, who had been creating avant-garde and experimental music since the 1970s, returned to Taiwan in 2003 to teach and direct the 'Computer Music Laboratory' at Taipei National University of the Arts.
「和」Party出現在戶外瑞舞派對紛紛被迫停辦的時期，「和」倡導音樂的自主性，每個月一次就像是固定的儀式和觀禮。 The He Party emerged during a period when outdoor raves were being shut down one after another. Advocating for musical autonomy, it was held once a month as a recurring ritual and gathering.
Co6台灣前衛文件展：度（Do）當中的跨領域策劃展「複音馬賽克」由粘利文、郭昭蘭、吳燦政組成的策展團隊「蜜糖藍激隊」希望藉著此展能對台灣的聲音藝術進行一個重新檢討與整理。 The interdisciplinary curatorial unit 'Polyphonic Mosaic' within the Co6 Taiwan Avant-Garde Documentation Exhibition: Do was organized by the curatorial team 'Honey Blue Passion Squad' — Zhan Li-wen, Kuo Chao-lan, and Wu Can-cheng — aiming to conduct a comprehensive review and reordering of sound art in Taiwan.
「噪動之夜 」 為展覽「疆界/Altered States」的開幕表演活動，演出地點則選在Live House「這牆」。表演選擇以工業搖滾、噪音與實驗聲響為主題，邀請台灣及加拿大前衛聲響藝術創作者， *Noise Magazine* Night was the opening performance for the exhibition 'Altered States,' staged at the live house The Wall. The performance focused on industrial rock, noise, and experimental sound, inviting avant-garde sonic artists from Taiwan and Canada.
「旃陀羅公社」(簡稱K社)於2009由當時就讀政大政研所博士班的張又升創辦，「旃陀羅」是印度教中對賤民的稱呼，是指稱在種姓制度的四個階層之外，一個徹底的他者或異類。 Kandala Commune (K Society) was founded in 2009 by Chang Yu-sheng, then a doctoral candidate in political science at National Chengchi University. 'Kandala' is the Hindu term for the untouchable caste — those who are completely other or alien, beyond the four rungs of the caste hierarchy.
「旃陀羅公社」(簡稱K社)於2009由當時就讀政大政研所博士班的張又升創辦，「旃陀羅」是印度教中對賤民的稱呼，是指稱在種姓制度的四個階層之外，一個徹底的他者或異類。 Chandala Commune (K Society) was founded in 2009 by Chang Yu-sheng, then a doctoral candidate in political science at National Chengchi University. 'Chandala' is the Hindu term for the untouchable caste — those who are completely other or alien, beyond the four rungs of the caste hierarchy.
